2020/21 Day response to MUSIC FOR ISOLATED MUSICIANS
This 21 day project is a collaboration between award winning composer / conductor Franco Prinsloo (South Africa) and myself. The project titled Music for Isolated Musicians is in response to the enforced 21 day lockdown due to the global CORONA-19 pandemic. This mini project entails Franco writing a short piece per day, and myself responding with a drawing.
In light of the number of lockdown days, I have decided to draw every drawing 21 times in immediate succession. The mark making therefore takes place over a few hours, often with escalating frustration, which, I feel, signifies the possible frustration of forced physical, mental and emotional isolation. My gestural drawing follows the tonalities and intonations of each piece I listen to. The results for every individual composition varies considerably. Initially starting quite close to the paper surface the drawing is quite contained. Moving further away with every subsequent hearing, the lines become free-er and I am less able to control the movements.
Letting go becomes important in developing the work.
Photographic documentation of the project @MyMalaika_Photography
Day 1 - Music for Isolated Musicians
Day 1 is dedicated to George Sandor Fazakas who is also the flautist performing the solo.
Listening to Fazakas perform this piece I was reminded of an earlier experience where I walked between hundreds and hundreds of butterflies whilst walking on a slope of a mountain in Turkey. The music echoed the multitude of delicate fluttering wings, darting in all directions only to return full circle. Or so if felt. Trying to keep up with the speed of the changing notes was a challenge that both exhausted and thrilled me at the same time.
YouTube link here
Day 2 - Music for Isolated Musicians
Day 2 is dedicated to Magdalena de Vries who is also the marimba player performing the solo.
As I listen to the energetic array of sounds created on the Marimba, both my body posture and movements are adapted. These embodied changes are in direct response to feeling the pulsating sounds. In the video at the top of this page this is clearly visible. During the drawing process there is a moving out of the centre of the body which, again, is reflected in the drawing: the weighted centre becomes the holding space for the flighted far-reaching tonalities..
YouTube link of Magdalena de Vries' performance here
Day 3 - Music for Isolated Musicians
Day 3 is dedicated to Ronald Davey who is also the cellist performing the solo.
Drawing Davey perform, I am very aware of a divide between what seems to feel like two energetic forces. There is a clear tension that exists between a 'higher' and a 'lower' world (conscious / subconscious) which only just manages to meet in the Middle World. Connection exists in a binary state at Quantum level, seemingly defying the observer.
Youtube link of Ronald Davey's performance here
Video's coming soon
Day 4 - Music for Isolated Musicians
This composition is dedicated to Magdalene Minnaar who is also the vocal soloist.
This sonic sketch is certainly one of the most baffling to me. The title of the song is "Sirkellietjie' or 'Circle song'. One could even describe it as a kind of mantra, yet the drawing is unquestionably linear! I was unaware of the title whilst drawing. I keep wondering whether - had I known - I might have been influenced by it? I often prefer to have as little info prior to performing my drawings in order to be able to listen in an unbiased way.
Youtube link of Magdalene Minnaar performance here
Day 5 - Music for Isolated Musicians
Soon to include both the video and response drawing!
Day 6 - Music for Isolated Musicians
Day 6 is dedicated to Johan Ferreira who is also the performing oboeist.
When listening to Oboe I am always reminded of the unique tones created by the double reed. It is interesting to note that in the accompanying drawing, there are thin lines protruding from the main body. There was no cognitive intention in doing so as my work process is purely gestural, but perhaps in some subliminal way this embodied duality surfaces.
Youtube link of Johan Ferreira performance here
Day 7 - Music for Isolated Musicians
Day 7 is dedicated to Anna-Maria Hefde. The talented bassoonist, Arno Steyn, performs this composition.
The bassoon is quite a large instrument with soft, lower tones that is particularly soothing in its own particular way. Seen the size of the instrument I suspect that somehow I had envisaged a larger, more dominant work. It therefore came as a surprise when, even during the very first layer, I realised that I was constraining my gestural movements considerably. This did not change over the course of the following 20 drawings layered over the first. I find the mark-making incredibly interesting, particularly the fragility of the SonicSketch in relation to the sizeable bassoon.
Youtube link of Arno Steyn performance here
Day 9 - Music for Isolated Musicians
Day 9 is dedicated to Morné van Heerden who plays the clarinet.
I have a particular affinity with the clarinet as I used to play it quite well as a youngster, winning the national award back in the day. Listening to the performance I was quite curious as to how `I would respond. The X-shape that has emerged is therefore quite interesting and, other than a variant of a cross "can also be understood as a “crossing over” to another dimension: a transcendence, transformation, or transmigration." (reference) Am I going back, migrating back into time ..? Am I transcending through the embodied memories of the sound ..?
Facebook link of Morné van Heerden performance here
Day 11 - Music for Isolated Musicians
Day 11 is dedicated to Judy Ho playing the harp.
Shortly into the first drawing I felt that I needed to cross my midline, the imaginary line separating the left and right sides of one's body. For most part of the drawing process I ended swopping my left and right hands, mark-making on the opposite sides of the paper. This inter-twining of fields was unexpected making the drawing process particularly interesting as I inter-changed left and right. The final outcome is cyclical connectivity, perhaps reflecting the harpist's movements whilst plucking with the harp positioned at midline.
Youtube link of Ching Man Ho Judy's performance here